Haygood writes, “after 1934, films
were guaranteed to be viewable by everyone, as the National
Legion of Decency and the Hays
Code took over content censorship, banning long kisses,adultery, double beds, the words
“damn” and “hell” and even nude babies.”
After World War II images on the
screen were changing from the “squeaky clean images” that were being shown
before.
Haygood talks about his research
and tells of his results finding that over the years profanity, violence,
sexual references, and nudity have increased within films overall. Censorship has changed as American
culture has developed over the decades.
In conclusion, the two sides of
the debate over censorship in film are that censorship is needed and that censorship
has gone too far. Hagwood discusses the idea of propaganda through film and
through the censorship of film; what the MPAA is allowing the public to view.
Bowman, J.
(2003). Breaking the code [Electronic version]. American Spectator, 36,
70-72.
Haygood, Ashley.
"The Climb of Controversial Film Content." N.p., May 2007. Web. 16
Oct. 2012.
Jowett, G. (1990). Moral responsibility and commercial entertainment: social control in the
United States film industry, 1907-1968
[Electronic version]. Historical Journal of Film,
Radio & Television,10,
3-32.
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